Originally posted by tripwire:
Got this from the news:
**If i remember correctly... it wasnt really that long ago that MAF was filmed by Aussie reporters for massacreing an entire chinese village in 1969....
I may not have read that book, but here's an article which describe some info on the "massacre filming". This article was published in The AGE (An aussie newspaper), page 11, on 12 Feb 1992. Cameron Forbes is the author.
----------------------
Title : "Bloodying The Deep Waters Of Diplomacy".
IN TROPICAL Malaysia, where the rain thunders down and the vegetation rushes up towards the sky, a parang is a marvellous all-purpose tool. Heavy and flat-bladed, it hacks through small trees and jungle vines. It harvests crops. But a parang can have darker uses.
`Turtle Beach', the film based on Blanche d'Alpuget's novel, opens with the swirling violence of the 1969 race riots during which Malays, driven to a fury by perceived threats to their political dominance, took to the streets against the immigrant-descended Chinese and Indians.
Australian photo-journalist Judith Wilkes is at the centre of chaos. Buildings burn, people flee, Malays stalk and chase, and she watches with horror as a parang lops off the head of an Indian.
Later in a scene of sustained brutality at Turtle Beach itself, parangs are at work again. Judith Wilkes sits on the sand with Minou, a Vietnamese refugee, who hopes desperately that her children have joined the boat people. Nature here is beautiful; man is vile. Minou tells Judith how giant turtles which haul themselves on to the beach to lay their eggs are tormented and exploited by Malay villagers. ``Disgusting people they are,'' Minou says.
A decrepit boat, packed with refugees arrives off-shore and men, women and children leap overboard to try to make it to land. While Wilkes (played by Greta Scacchi, who asked for her role to be more active) is being heroic, along the shining sand run perhaps 40 Malays, a couple wearing the white cap that shows they have been on the Haj, the pilgrimage to Mecca. Most carry parangs.
They rush into the water in a slashing, stabbing frenzy. Eventually a contingent of Malaysian police drives them off and they leave bodies gently rocking in red water.
For Blanche d'Alpuget, `Turtle Beach' the novel is a work of art which has a moral focus and follows Tolstoy's precepts: ``Tolstoy said a work of art is new, it's clear and it has an effect for good.'' She says the moral concern of the novel is the treatment and plight of the boat people, for whom Australia must take a share of responsibility because of its role in the Vietnam war.
FOR producer Max Carroll, `Turtle Beach' the film is also an opportunity to say something about the condition of boat people and the violation of their human rights. Like d'Alpuget he has strong personal feelings about the matter.
But for the governments of Australia and Malaysia, the film, which will open across Australia on 19 March, threatens a fragile diplomatic peace. Immediately Blanche d'Alpuget saw the finished film last October, she rang the then Prime Minister, Bob Hawke (for whom she has been the preeminent biographer), and warned him he should prepare to undertake damage control.