Hmmm...now that bar-top dancing has not torn Singapore apart, as predicted by one of our million dollar, world class ministers, maybe 13-minute satires on the system might cause Singapore to implode.

I seriously think that if some of our Ministers kept their yaps shut, they might be able to maintain the illusion that they are actually worth the king's ransom we pay them....
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Friday March 26, 9:39 AM
http://sg.news.yahoo.com/040326/3/3j1w2.htmlSingapore says satire on censorship not funnyBy Jacqueline Wong SINGAPORE, March 26 (Reuters) - A cinematic spoof on Singapore's strait-laced film censors could be censored itself, underscoring the limits to loosening stuffy social controls in a country known for decades as Asia's "nanny state".
Royston Tan, a young film-maker whose first full-length feature about drugs and delinquency won international plaudits last year, is courting controversy even before his latest film "Cut" hits the screens.
The 13-minute satire, due to open the Singapore International Film Festival in April, is about a film buff who has a chance encounter in a supermarket with a censorship board official and explodes into a rant on films the board has cut.
The government, which has poured millions of dollars into developing a film industry and nurturing local talent, is not laughing. One minister said in parliament the film could sap Singapore's institutions.
"The producer may think it is funny, but I'm afraid that I don't appreciate such unbecoming attempts to undermine the standing of a public institution," said Lee Boon Yang, minister for information, communications and the arts.
The film comes at a delicate time for Singapore as it takes tentative steps at relaxing censorship laws that now ban Playboy magazine, routinely clip racy scenes from movies and scissor drug references from pop cultural magazines.
Despite recent steps to loosen some of Singapore's stuffier laws, such as adopting a new film ratings system to give young adults more access to mature content and allowing bars to stay open for 24 hours in some parts of the city of four million, state film censorship remains pervasive.
Kate Winslet's disrobing scene in the film "Titanic" was deemed too daring. Scenes of women kissing each other in the award-winning film "The Hours" were also cut, as was a brief glimpse of nudity in recent Oscar honoree "Lost in Translation".
The cuts are easily noticeable, giving movie scenes a disjointed feel. On occasion films are banned outright.
"Zoolander", starring Ben Stiller as a model dragged into a plot to kill Malaysia's prime minister, was barred in 2002.
A ban on "Sex and the City", the hit U.S. television sitcom about a quartet of single women in New York, was lifted last September, but the show has yet to air in Singapore. Officials say they need more time to ensure citizens are not offended.
Residents say they expect this to mean parts of "Sex and the City" will still be censored.
DEVELOPING NEW EXPORTS
Ministers are banking on entrepreneurship, technological innovation and the arts to power the next stage of the country's economic development. But, as the furore over "Cut" illustrates, building up film-making is not friction-free for the government.
Lee, the arts minister, told parliament that "making fun" of the censorship board would not prompt the government to change its rules "to suit the agenda of those with vested interests".
Industry sources say some state-funded art institutions have started to distance themselves from Tan, a 27-year-old film-maker who was hailed last year as one of the brightest new lights in Singapore's nascent movie industry.
Tan, whose film "15" about drugs and delinquency won a standing ovation at the Venice Film Festival last year, said he had hoped "Cut" would spark a constructive dialogue about censorship. He said it was not meant to be malicious.
"It's not that I wanted to tear down the system or something like that. I believe in the system, but we can improve on it," Tan told Reuters.
"I really think it's constructive," Tan said of his film. He said he was merely voicing an opinion through the medium he knows best.
Film buffs are concerned that an exhibition of Tan's work at the Singapore History Museum will not be shown in April.
A spokeswoman for the museum said the timing of his planned retrospective clashed with the city state's film festival.
The fate of "Cut" also hangs in the balance as the film festival organisers wait to learn how the satire will be rated.
"It's a matter of waiting to see what it is," said Vinita Ramani, the festival's publicist. "The policy has always been that if the film is going to be proposed passed with cuts, we don't show it."
Lee's ministry played down talk of a backlash against the film-maker. Another of his films, commissioned by the museum, would be shown there until 2006.
"We will continue to tap all creative talents to help us make Singapore an interesting and vibrant place," the spokeswoman said.