Haizz..
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farewell my first love,i hope you are happy with him. 
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wad the hell is this?????????Originally posted by bluey^blue~:ֻʣ�¸ÖÇÙÅãÎÒ̸�ËÒ»Ìì
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ÎÒ»áѧ×Å·ÅÆúÄãÊÇÒòΪÎÒÌ«°®Äã farewell my first love,i hope you are happy with him.
chi character? -
since its your 100th post...let me help you...
take it easy okie?
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Wah.. Cheerup dude.
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care to tell the story?
I dunno how to read chinese characters la...
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i cannot understand..but since its AA,i can only think its negative..soo cheer up and translate it to english ok?
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its a jay chou song...Originally posted by R3SsH|n:since its your 100th post...let me help you...
take it easy okie?
an jing
sad sad... -
bluey^blue~
I think hor your case must be some sort of breakup or your first love finding someone else..
Sad lar but hor is a process of growing up lar .....
Learn from your mistakes and try not to repeat them...
Wake up!
Is time to move on!
Time will not wait for any man.... -
Do not indulge in such songs when you're out of a relationship.. It's unhealthy. And whatever consequences which may come is what you bring upon yourself through this doing?Originally posted by bluey^blue~:ֻʣ�¸ÖÇÙÅãÎÒ̸�ËÒ»Ìì
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ÎÒ»áѧ×Å·ÅÆúÄãÊÇÒòΪÎÒÌ«°®Äã farewell my first love,i hope you are happy with him. -
Yah, it can be real sad but slowly you'll heal & I was in such a state now single for 2 years liao....... lonely but at least won't get hurt againOriginally posted by bluey^blue~:ֻʣ�¸ÖÇÙÅãÎÒ̸�ËÒ»Ìì
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ÎÒ»áѧ×Å·ÅÆúÄãÊÇÒòΪÎÒÌ«°®Äã farewell my first love,i hope you are happy with him. 
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Dun feel sad k...life still haf to go on...there r ppl who loved U...
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time will heal...
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Wing Chun (Chinese: 詠春; pinyin: yǒng chūn; Yale Cantonese: wing2 cheun1), also romanized Ving Tsun, is a system of Chinese martial arts with an emphasis on unarmed close-range fighting, although its curriculum includes weapons and techniques suitable for various ranges.
History
The history of most martial arts, including Wing Chun, has historically been passed from teacher to student verbally rather than by text, making it difficult to confirm or clarify the differing accounts of Wing Chun's creation, which has long been a subject of debate. Since students are usually more focused on learning the art itself rather than its history, historical fact easily becomes lost as these stories become romanticised and mythologized. Such legends nevertheless shape every practitioner's idea of what the art is and are therefore worth studying in their own right; for example, the traditions of many of its branches maintain that Wing Chun was designed for women and fighters of lighter build in general.
Theories have been proposed that apply the methods of higher criticism to the oral histories of Wing Chun and other Chinese martial arts or discern the origins of Wing Chun by determining the specific purpose of its techniques. Wing Chun starts to appear in independent third-party documentation during the era of the Wing Chun master Leung Jan, making the subsequent history of Wing Chun more amenable to documentary verification.
Oral histories
Yip Man Wing Chun
The oral history of the Yip Man branch of Wing Chun dates its creation to the reign of the Emperor Kangxi (1662–1722). After escaping the destruction of the Henan Shaolin Monastery by Qing forces, the Abbess Ng Mui fled to the distant Daliang mountains (大涼山 on the border between Yunnan and Sichuan. One day, she came upon a fight between a snake and a crane. She took the lessons she learned from observing the fight between the two animals and combined them with her own knowledge of Shaolin kung fu to create a new style. Ng Mui often bought her bean curd at the tofu shop of Yim Yee (嚴二. Yim Yee had a daughter named Yim Wing-Chun (嚴詠春[1] whom a local warlord was trying to force into marriage. Ng Mui taught her new fighting style to Wing-Chun, which the girl used to fend off the warlord once and for all. Wing-Chun eventually married a man she loved, Leung Bok-Chao (梁博儔, to whom she taught the fighting techniques that Ng Mui had passed on to her. Husband and wife in turn passed the new style on to others.
Yiu Kai Wing Chun
The oral history of the Yiu Kai lineage dates the creation of Wing Chun roughly a century later, to the early 19th century, and names Wing-Chun's father as Yim Sei (嚴四, a disciple at the Fujian Shaolin Temple who avoids persecution by fleeing with his daughter to Guangxi. Wing-Chun learned the Fujian Shaolin arts from her father and, from their raw material, created a new style after being inspired by a fight between a snake and a crane. She eventually married Leung Bok-Chao (梁博儔—a Shaolin disciple just like Wing-Chun's father—and taught her fighting style to her new husband. The young couple began teaching Wing Chun's fighting style to others after moving to Guangdong Province in 1815, settling in the city of Zhaoqing.
Numerous variations on this story abound.
[edit]
Theories
Other origins for Wing Chun have been suggested, typically involving connections to the Triads, revolutionary groups, or the Hakka people of southern China. Almost all extant lineages of Wing Chun, with the exception of the Pao Fa Lien (刨花蓮 branch, claim descent from the members of the mid-19th century cohort of the Red Boat Opera Company (紅船戲班.
[edit]
Espionage and assassination
According to one proposed explanation, opponents of the Qing Dynasty used the Red Boat Opera Company as a cover to disguise themselves as troupe of travelling entertainers. Their identities as Chinese opera performers provided a cover for martial arts training; however, the flashy moves of opera style martial arts ware not suited to the activities of espionage and assassination, which required specialized skills. Even though assassinations themselves would be carried out using poison or knives, their targets were usually protected by bodyguards who, on discovery of an intruder, would seize the person, call for help, and disable the person to be held for interrogation. Therefore, according to this hypothesis, Wing Chun was designed to deal with an opponent who seized rather than struck and to silence that opponent immediately. This would explain certain technical aspects of Wing Chun, such as its emphasis on close-range combat and its many strikes to the throat and diaphragm.
Wing Chun City
Also of note is the existence of a city called Yongchun (永春[2] in Fujian Province, China. In Mandarin, the pronunciation of the martial art and the pronunciation of the town are identical: Yǒngchūn. In Cantonese, the pronunciations are not identical, but nonetheless similar: wing2 cheun1 (martial art) vs wing5 cheun1 (municipality). The name of the town is written with the character yǒng/wing "永" meaning "always," whereas the lineages of Wing Chun that descend from Yip Man, Yiu Kai, Yuen Kay-San, the Cho family, Tam Yeung, Fung Sang, Yeung Fook, and Leung Kwok-Keung write the name of their martial art using the character yǒng/wing "詠" meaning "sing." However, the lineages of Wing Chun that descend from Pan Nam, Nguyễn Tế-Công, Way Yan, the Wang family of Saiquan, and Pao Fa Lien use the yǒng/wing "永" character, making the name of their martial art identical with the name of the town. Both yǒng/wing "永" and yǒng/wing "詠" share the radical shuǐ/seoi "水". -
please add reference to what you have just copied and paste...plagiarism...
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Originally posted by Prince Cumming:Wing Chun (Chinese: 詠春; pinyin: yǒng chūn; Yale Cantonese: wing2 cheun1), also romanized Ving Tsun, is a system of Chinese martial arts with an emphasis on unarmed close-range fighting, although its curriculum includes weapons and techniques suitable for various ranges.
History
The history of most martial arts, including Wing Chun, has historically been passed from teacher to student verbally rather than by text, making it difficult to confirm or clarify the differing accounts of Wing Chun's creation, which has long been a subject of debate. Since students are usually more focused on learning the art itself rather than its history, historical fact easily becomes lost as these stories become romanticised and mythologized. Such legends nevertheless shape every practitioner's idea of what the art is and are therefore worth studying in their own right; for example, the traditions of many of its branches maintain that Wing Chun was designed for women and fighters of lighter build in general.
Theories have been proposed that apply the methods of higher criticism to the oral histories of Wing Chun and other Chinese martial arts or discern the origins of Wing Chun by determining the specific purpose of its techniques. Wing Chun starts to appear in independent third-party documentation during the era of the Wing Chun master Leung Jan, making the subsequent history of Wing Chun more amenable to documentary verification.
Oral histories
Yip Man Wing Chun
The oral history of the Yip Man branch of Wing Chun dates its creation to the reign of the Emperor Kangxi (1662–1722). After escaping the destruction of the Henan Shaolin Monastery by Qing forces, the Abbess Ng Mui fled to the distant Daliang mountains (大涼山 on the border between Yunnan and Sichuan. One day, she came upon a fight between a snake and a crane. She took the lessons she learned from observing the fight between the two animals and combined them with her own knowledge of Shaolin kung fu to create a new style. Ng Mui often bought her bean curd at the tofu shop of Yim Yee (嚴二. Yim Yee had a daughter named Yim Wing-Chun (嚴詠春[1] whom a local warlord was trying to force into marriage. Ng Mui taught her new fighting style to Wing-Chun, which the girl used to fend off the warlord once and for all. Wing-Chun eventually married a man she loved, Leung Bok-Chao (梁博儔, to whom she taught the fighting techniques that Ng Mui had passed on to her. Husband and wife in turn passed the new style on to others.
Yiu Kai Wing Chun
The oral history of the Yiu Kai lineage dates the creation of Wing Chun roughly a century later, to the early 19th century, and names Wing-Chun's father as Yim Sei (嚴四, a disciple at the Fujian Shaolin Temple who avoids persecution by fleeing with his daughter to Guangxi. Wing-Chun learned the Fujian Shaolin arts from her father and, from their raw material, created a new style after being inspired by a fight between a snake and a crane. She eventually married Leung Bok-Chao (梁博儔—a Shaolin disciple just like Wing-Chun's father—and taught her fighting style to her new husband. The young couple began teaching Wing Chun's fighting style to others after moving to Guangdong Province in 1815, settling in the city of Zhaoqing.
Numerous variations on this story abound.
[edit]
Theories
Other origins for Wing Chun have been suggested, typically involving connections to the Triads, revolutionary groups, or the Hakka people of southern China. Almost all extant lineages of Wing Chun, with the exception of the Pao Fa Lien (刨花蓮 branch, claim descent from the members of the mid-19th century cohort of the Red Boat Opera Company (紅船戲班.
[edit]
Espionage and assassination
According to one proposed explanation, opponents of the Qing Dynasty used the Red Boat Opera Company as a cover to disguise themselves as troupe of travelling entertainers. Their identities as Chinese opera performers provided a cover for martial arts training; however, the flashy moves of opera style martial arts ware not suited to the activities of espionage and assassination, which required specialized skills. Even though assassinations themselves would be carried out using poison or knives, their targets were usually protected by bodyguards who, on discovery of an intruder, would seize the person, call for help, and disable the person to be held for interrogation. Therefore, according to this hypothesis, Wing Chun was designed to deal with an opponent who seized rather than struck and to silence that opponent immediately. This would explain certain technical aspects of Wing Chun, such as its emphasis on close-range combat and its many strikes to the throat and diaphragm.
Wing Chun City
Also of note is the existence of a city called Yongchun (永春[2] in Fujian Province, China. In Mandarin, the pronunciation of the martial art and the pronunciation of the town are identical: Yǒngchūn. In Cantonese, the pronunciations are not identical, but nonetheless similar: wing2 cheun1 (martial art) vs wing5 cheun1 (municipality). The name of the town is written with the character yǒng/wing "永" meaning "always," whereas the lineages of Wing Chun that descend from Yip Man, Yiu Kai, Yuen Kay-San, the Cho family, Tam Yeung, Fung Sang, Yeung Fook, and Leung Kwok-Keung write the name of their martial art using the character yǒng/wing "詠" meaning "sing." However, the lineages of Wing Chun that descend from Pan Nam, Nguyễn Tế-Công, Way Yan, the Wang family of Saiquan, and Pao Fa Lien use the yǒng/wing "永" character, making the name of their martial art identical with the name of the town. Both yǒng/wing "永" and yǒng/wing "詠" share the radical shuǐ/seoi "水". -
And just what's the point of this post...?Originally posted by Prince Cumming:Wing Chun (Chinese: 詠春; pinyin: yǒng chūn; Yale Cantonese: wing2 cheun1), also romanized Ving Tsun, is a system of Chinese martial arts with an emphasis on unarmed close-range fighting, although its curriculum includes weapons and techniques suitable for various ranges.
History
The history of most martial arts, including Wing Chun, has historically been passed from teacher to student verbally rather than by text, making it difficult to confirm or clarify the differing accounts of Wing Chun's creation, which has long been a subject of debate. Since students are usually more focused on learning the art itself rather than its history, historical fact easily becomes lost as these stories become romanticised and mythologized. Such legends nevertheless shape every practitioner's idea of what the art is and are therefore worth studying in their own right; for example, the traditions of many of its branches maintain that Wing Chun was designed for women and fighters of lighter build in general.
Theories have been proposed that apply the methods of higher criticism to the oral histories of Wing Chun and other Chinese martial arts or discern the origins of Wing Chun by determining the specific purpose of its techniques. Wing Chun starts to appear in independent third-party documentation during the era of the Wing Chun master Leung Jan, making the subsequent history of Wing Chun more amenable to documentary verification.
Oral histories
Yip Man Wing Chun
The oral history of the Yip Man branch of Wing Chun dates its creation to the reign of the Emperor Kangxi (1662–1722). After escaping the destruction of the Henan Shaolin Monastery by Qing forces, the Abbess Ng Mui fled to the distant Daliang mountains (大涼山 on the border between Yunnan and Sichuan. One day, she came upon a fight between a snake and a crane. She took the lessons she learned from observing the fight between the two animals and combined them with her own knowledge of Shaolin kung fu to create a new style. Ng Mui often bought her bean curd at the tofu shop of Yim Yee (嚴二. Yim Yee had a daughter named Yim Wing-Chun (嚴詠春[1] whom a local warlord was trying to force into marriage. Ng Mui taught her new fighting style to Wing-Chun, which the girl used to fend off the warlord once and for all. Wing-Chun eventually married a man she loved, Leung Bok-Chao (梁博儔, to whom she taught the fighting techniques that Ng Mui had passed on to her. Husband and wife in turn passed the new style on to others.
Yiu Kai Wing Chun
The oral history of the Yiu Kai lineage dates the creation of Wing Chun roughly a century later, to the early 19th century, and names Wing-Chun's father as Yim Sei (嚴四, a disciple at the Fujian Shaolin Temple who avoids persecution by fleeing with his daughter to Guangxi. Wing-Chun learned the Fujian Shaolin arts from her father and, from their raw material, created a new style after being inspired by a fight between a snake and a crane. She eventually married Leung Bok-Chao (梁博儔—a Shaolin disciple just like Wing-Chun's father—and taught her fighting style to her new husband. The young couple began teaching Wing Chun's fighting style to others after moving to Guangdong Province in 1815, settling in the city of Zhaoqing.
Numerous variations on this story abound.
[edit]
Theories
Other origins for Wing Chun have been suggested, typically involving connections to the Triads, revolutionary groups, or the Hakka people of southern China. Almost all extant lineages of Wing Chun, with the exception of the Pao Fa Lien (刨花蓮 branch, claim descent from the members of the mid-19th century cohort of the Red Boat Opera Company (紅船戲班.
[edit]
Espionage and assassination
According to one proposed explanation, opponents of the Qing Dynasty used the Red Boat Opera Company as a cover to disguise themselves as troupe of travelling entertainers. Their identities as Chinese opera performers provided a cover for martial arts training; however, the flashy moves of opera style martial arts ware not suited to the activities of espionage and assassination, which required specialized skills. Even though assassinations themselves would be carried out using poison or knives, their targets were usually protected by bodyguards who, on discovery of an intruder, would seize the person, call for help, and disable the person to be held for interrogation. Therefore, according to this hypothesis, Wing Chun was designed to deal with an opponent who seized rather than struck and to silence that opponent immediately. This would explain certain technical aspects of Wing Chun, such as its emphasis on close-range combat and its many strikes to the throat and diaphragm.
Wing Chun City
Also of note is the existence of a city called Yongchun (永春[2] in Fujian Province, China. In Mandarin, the pronunciation of the martial art and the pronunciation of the town are identical: Yǒngchūn. In Cantonese, the pronunciations are not identical, but nonetheless similar: wing2 cheun1 (martial art) vs wing5 cheun1 (municipality). The name of the town is written with the character yǒng/wing "永" meaning "always," whereas the lineages of Wing Chun that descend from Yip Man, Yiu Kai, Yuen Kay-San, the Cho family, Tam Yeung, Fung Sang, Yeung Fook, and Leung Kwok-Keung write the name of their martial art using the character yǒng/wing "詠" meaning "sing." However, the lineages of Wing Chun that descend from Pan Nam, Nguyễn Tế-Công, Way Yan, the Wang family of Saiquan, and Pao Fa Lien use the yǒng/wing "永" character, making the name of their martial art identical with the name of the town. Both yǒng/wing "永" and yǒng/wing "詠" share the radical shuǐ/seoi "水".
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AGREEOriginally posted by life2121:time will heal...