That's the photo of the floor. Terrace floor near the plants.
It has a good colour with nice strong contrast and a little shine. Also it's not just a blank colour but with noticable ordered patterns from the tile lines.
I meant that floor photo to serve as a closing in that series of photos. It's man made, concrete, and it provides a contrasting visual and contextual break and close from all the nature photos previously.
I took it as a fitting closer. And although it's a break, it's still related to the previous ones as readers can guess it's the floor nearby. So it's continuous.
It would be different if the floor photo is in the wrong order, for example in middle or in beginning. The feel will be off.
I ordered the photo series deliberately. Like the first one, the opener is a bloom. The second one, a little flower. I wanted the reader to see the first photo the most beautiful bloom. A captivating start. Then when they see the following small little flower, they will feel, 'Oh such a big bloom actually came from such a small flower' . I want them to flashback, like seeing an old man then seeing a kid. The feeling will be different if you show the kid first then the old man. Too linear and common. Flashback is more poetic, it will leave a deeper impression in your mind. The blooms in 1st and 3rd photo are beauty in bold expression, glorified in center stage, while 2nd one is a vulnerable promising beauty ensconced in its surrounding leaves. When they work together in a series, a reader can feel the magic. The magic of traversing time. Of transformation. Of continuity. Of beauty and nature.
OK I crap too much now. But if I write it in words, that's roughly how I feel. You see the photos slowly from top to down, you will get a feel. You have to savour it like a wine.
OK, OK I stop now.
